I am interested in the sensation of writing with the real object through the rearrangement of the various functions implicit in it, and also in the creative processes that resolve a sensation as a concept into an aesthetic result. Nothing links the object with any archetype and yet it becomes a sensorial projection of the mind. The interpretation of these pieces responds to the physiognomy of the reader, assimilating all faces and none at the same time. What is communicated is simply an image, subject to the gesture of the gaze…