"Dissent" refers to the idea of working from the fractures between the elements that constitute the aesthetic process, that is, separating the works from the network of links that legitimize them as artistic products in order to return to the question of art as something in itself with an intrinsic value and its own discourse, removed from the mechanisms of the system. Here, all procedural relationships should be eliminated in order to refer instead to the object itself and to the analysis that produces the direct relationship with the spectator and his role in completing the meaning of the work.
The history of art can be compared to a body with its organs outside of itself. It is shaped by historians and other agents and intermediaries who, for various reasons, have left out many of the artists who make up the body.
Spelling Cy Twombly
is a reinterpretation of Cy Twombly's work, mediated by new supports and materials that reflect on the nostalgic nature of the unique piece as opposed to reproducibility, projecting a new version between the two; on the one hand it becomes crystallized images, which enhance a cold analysis; and on the other hand it accentuates the nostalgia for the style and energy of the gesture in Cy's painting.
It attempts to point out the background to the formation of democracies in Western systems, regardless of the defence of equality and social rights, which is linked to the idea of death and the monopolistic appropriation of material and symbolic means.
Deconstructing the idea of cultural relativism and emphasizing a global heritage made up of unequal access that eliminates political and cultural differences, death is understood in the social sphere as a right to the appropriation and deconstruction of foreign roots.